From sexy to the macabre, OffLine continues its penchant for the diverse. This nationally distributed and Ithacan-produced television series continues its commitment to presenting the finest in independent media art. This season, OffLine explores themes such as graffiti, the urban environment, techno-art, and women in the arts. In addition, Latino and Hispanic art explodes in an OffLine special presentation on the controversial site-specific installation Revelaciones/Revelations: Hispanic Art of Evanescence. Included are interviews with each of the nationally acclaimed artists involved. Don't miss this provocative art-document on this first-time installation.

Revelaciones: Latino and Hispanic art explodes in an OffLine special presentation on the controversial site-specific installation Revelaciones/Revelations: Hispanic Art of Evanescence. Included are interviews with each of the nationally acclaimed artists involved: Amalia Mesa-Bains, Ronald Gonzalez, Maria Brito, Celia Alvarez Munoz, Daniel Martinez, Raphael Montanez, Rimer Cardillo, and Gronk. Don't miss this provocative art-document about the exciting group site-specific installation.

Fauna: OffLine begins its regular Spring season with Pod, by Ben Weinstein; Lynette Kessler's She Said, a video about flesh, time, and change; and an interview with jazz guitarist and computer animator Tom Ross including his recent adaptation of Jabberwocky. Mary Flanagan's videos Family Jewelfish and Breach Baby take an abstracted look at the macabre.

Graffiti: The writing is off the wall in this week's "graffiti". Video painter Rii Kanzaki talks with OffLine about her experiences videotaping graffiti artists in New York City. Lawrence Sullivan's Holding the Lens (part one) is an unethical intrusion into the everyday life of his mother. OffLine embarks on an exploration of the current era with painter Penny Poor's Heart Core. Be All You Can Be, by Ben Weinstein, offers a humorous perspective on military service. The metaphor of construction comes alive in the rock group Whose Family's latest music video Dismantle. In addition, the Cornell Cinema segment of the episode presents Derek Jarman's music videos for Marianne Faithful, Broken English and Witches Song.

Kitchenware: Elena Dubrovsky's Chaplinesque eye on eating, Kokeyed Solitude, and Marchette Dubois' abstracted perspective on the ordinary, Kitchen, are among the dishes served up on this week's show. Coffee Cup and excerpts from Paul Belodeau's Video Underground series add to the stew. Russ and Taly Johnson's artistic capturing of the Gulf War demonstrations in New York City, A Few Protests and a Parade, adds another course to the table. Come with OffLine and Cornell Cinema to the State Diner for an interview with experimental filmmaker Greta Snider.

Cities: The urban environment takes center stage with Sian Evans' Home Is Where the Heart Is (part one), a document about definitions of "home" through the analytical perspective of the developmental psychology of children. Camping in the inner city is the focus of R.T. Marcy's video, while Elite Kedan takes an abstract trip on Bus Ride. Mary Flanagan, the featured artist this week, talks with her computer about her visual work. Tonight's Cornell Cinema segment presents Manhatta, by Paul Strand and Charles Sheeler, one of the earliest experimental films on record.

Maps: Among the sites on this week's trip are Home Is Where the Heart Is (part two); Elissa Icso's Threshold, an examination of the institutionalized oppression of women; and LeonRaymond Mitchell's humorous chat with hat wearers, To Top It Off. OffLine's featured artist is Daniel Hintz (Landro) of the San Francisco trance band Hungry Ghost. Derek Jarman's early experimental film T.G.: Psychic Rally in Heaven puts art on the map in this week's Cornell Cinema segment.

Abstractions.: Distortions are reality this week with Lawrence Sullivan's Holding The Lens (part two), the performance art troupe Xee's Studio Xee, and the 3-D animation Enchantments by Eliot Sirota. Tari Abranovich's This That & the Other or How I Learned To Stop Worrying and Love the 10,001 Things manipulates television images into a collage of color and texture.

Women: Among the important contributions of women artists in this week's OffLine repertoire include Jennifer Hoffecker's bizarre collection of true story anecdotes Little Women, Joy Parker's Mel's Shoot, a snapshot look at the work of photographer Melanie Weiner; and Amy Lisewski's The Power of Men. Poet Hillary Joyce reads from her work and talks with OffLine about the creative process.

Subversions: Cornell Cinema presents Derek Jarman's Pirate Tape, an abstract film with images and sounds of William S. Burroughs. Rohesia Hamilton Metcalfe's La Blanchisseuse examines the tendency that still exists for women to take a greater responsibility than men for domestic work and nurturing. From a crazed woman's monologue in Tear-Jerker, to barely recognizable human shapes in Living On The Moon, and the intense hatred in The Evil Cleric , these three diverse videos from Joel Baird deal with issues of lesbian and gay social issues in an innovative way. Also featured are Craig Mains' Subliminal Proprierty an absurd dinner piece, and Inversion Traps in Los Angeles, by Heather Kerr, a collage of city images.